Center Stage
Of my six needed activities I discovered, the last to be acknowledged, accepted, and put on my chart was “Center Stage.” Admitting that being center stage was (and is) fundamental to my happiness seemed bad somehow—like I was saying I need to be “better than” everyone else. I felt better than everyone else when I was center stage—when everyone was looking at me and listening to me.
And I still do. My adrenaline flows. My heart rate increases. I smile. I feel connected to my audience, every single person, whether one or one hundred. (As a forestry professor, I sometimes presented research to more than two hundred audience members.) When I perform, I am performing for the benefit of each person. I am always nervous before, but in my element once I begin the process.
Several months went by as I went back over my journal pages and kept running across this characteristic. I was about three years away from retiring after twenty years as a forestry professor and attempting to figure out what would make me happy the next thirty years. Finally I realized I could not ignore the truth of this need. In seeking insight into what made me happy in the past, center stage kept appearing.
My first memory of being truly happy occurred when I was about five years old.
Our family members were gathered together in
Ohio at Christmas time with my father’s family.
We finished dinner at a small hotel in
Seville, Ohio, and after the waitress removed most of the dishes, Uncle Ray picked me up and stood me on the corner of the table saying “Jackie’s going to give us some after-dinner entertainment.”
I sang
God Bless America and the uncles and aunts around the table all put coins in a coffee cup as it was passed around the table.
I was paid!
I was thrilled with the applause and the money.
I felt loved.
Remember Kate Smith’s rendition? This would have been about 1938. We were not yet actively fighting in the War, (Note: check this out) but patriotism was pervasive throughout the country. We often sang God Bless America and My Country ‘tis of Thee in churches and schools all over the country.
As I searched my journals and my memory, other events arose. I was once a head of lettuce in a Christmas parade. For a fat girl, the costume was a natural! Mother made it, of course. My whole body was covered with green crepe paper lettuce leaves. I even had lettuce leaves on my head. I was the only vegetable in the parade and I was happy!
There were spelling bees in elementary school. I won more often than not and became the last child standing. Again, a thrilling experience I never tired of. It was disappointing to me when I moved up into the grades where spelling bees no longer occurred, probably the fourth or fifth grade. I particularly remember the spelling bees in third grade because our teacher, Miss Loree, would sit us on her lap and brush our hair if we were especially good. Can you imagine that happening today? I don’t remember if she brushed the hair of the boys, but I am pretty sure she did.
There were monthly performances of the
Stars of Tomorrow.
I must have begun dancing lessons about age ten when I was really too fat to balance on my toes in ballet shoes, but I tried.
Soft shoe and tap dancing worked much better than ballet.
When the
Stars of Tomorrow dancing lessons organization came to town, Mother jumped at the chance for me to dance and sing blues on stages in small communities as far away as fifty miles—Batesburg-Leesville, Newberry, Ninety Six, Greenwood, Saluda, Edgefield, McCormick and others.
The crowning touch—the Township Auditorium in
Columbia, the state capitol city, was an hour and a half away from home.
Paul McMahon, a locally famous singer, was invited to attract a crowd larger than just parents, grandparents, and siblings—our usual audience.
When I ended the show with my final song,
Basin Street Blues, Paul put his arm around me and invited even more applause as he bowed with me acknowledging the audience.
This was a momentous occasion for a seventeen-year-old high school student dreaming of
Hollywood.
At about the age of ten, I began collecting photos of movie stars. Some photos came from magazines, some from my mailing a letter requesting a photo. John Payne, Lauren Bacall, Humphrey Bogart, Gene Tierney, Margaret O’Brien and others sent autographed eight by ten photos. Many of my pictures were tops of nickel ice cream cups. You never knew whose photo would appear until you removed the lid and there on the inside was the smiling face of some famous movie star—Alan Ladd, Veronica Lake, Gene Autry, Roy Rogers, and many more. You lifted the cardboard top by the little tab and peeled the waxed paper away from inside the lid to reveal the photo.
The stage performances continued in high school plays as a drama club member and later as an adult in the Clemson Little Theater. Tate and Luke, our two boys, were about eight and ten years old—old enough to stay at home without a sitter for a couple of hours. It was a marvelous excuse for being center stage, at least part of the time, and also getting out of the house together for six weeks of rehearsals without the children along. I still remember my delighted reaction to the audience laughter as I said my best line: “I hope the Lord will forgive me for that one time I sinned.” (It had just been revealed that I was pregnant by the preacher, to whom I was not married. And, it was clearly not the only time I sinned.)
In 1974, Burt Lancaster came to Clemson to make
The Midnight Man. I thought “Finally my big chance has come!” And so it did. I went over to the Holiday Inn and signed up and two days later got the call. Both Bob and I were hired as extras. The crew got a real kick out of watching Bob, a full professor of mathematics, acting as a baggage man at the bus station. I was hired as a stand-in for Susan Clark. Mostly, I’m sure, because I am approximately her height and have similar facial structure. For about seven weeks I worked six days a week for seven or more hours watching the filming of a real movie from up close. What a thrill when I actually was called up to stand in Susan’s place while lights and camera were adjusted. And, I made $2.00 an hour for often just standing around watching the proceedings. More importantly, occasionally almost everybody was looking at me!
Finally, in 1978 I began graduate school in forestry. Once again, everyone looked at me. I was one of only three females in the classes. And, I was more than twenty years older than any of the other students.
Then, I became the first female on the forestry faculty and a few years later the first female in the department to earn a Ph.D.
Needless to say, again I was on the stage as an oddity.
Sort of like one of those freaks that in the thirties and forties used to be with the traveling circuses and the county fairs.
I did enjoy all my work in the field doing research, traveling over the state giving talks to forest landowners on how to manage their land, and particularly teaching
Public Relations for Natural Resource Managers classes at the university.
My most enjoyable years were spent as the facilitator for continuing education programs sponsored by the U.S. Forest Service for their silviculturists.
I worked with foresters and professors from all over the country developing and facilitating the programs held at
Clemson University facilities both on campus in the Piedmont of South Carolina and at the coastal facility on the Baruch Plantation, near
Georgetown.
As the facilitator, I was the point person—center stage.
About five years before I finished my stint as a forestry professor I attended modeling school for nine months once a week in the evenings and did some runway and print work. Was that ever fun! I sometimes drove as much as a hundred miles for a one-hour photo shoot and enjoyed every moment of the entire trip.
To top it all off, in 2001, at age 68, two years after I retired, I was crowned Ms. South Carolina Senior!
There I was, sitting at home innocently scanning the Greenville News when I ran across a pageant for senior women at the
Senior Action Center.
When I participated in my very first ever pageant I lost, but was still allowed to enter the state one (for a fee, of course) since so few women were entering the contests.
When I won, the best of all happenings—the state newspapers picked up on it and I even received an invitation to the State House to be recognized.
(One of the South Carolina House representatives was a former Ms. Senior pageant participant.)
From then on, invitations to speak began coming in and I began enjoying
center stage as a Happiness Specialist.
What is a “Happiness Specialist”? I came up with the name as I was studying what makes me happy and beginning to give talks about finding happiness. I had been a “Hardwood Specialist” in my forestry career. So, in the middle of the night, it came to me that my next career would be as a Happiness Specialist. And, I still am.
All of these memories play a role in my ability to live happily now. I am who I am because of where I have been. And being center stage is a large part of where I have been and where I am going. Center stage is related to all six of my values: control, creativity, challenge, connection, commitment and contribution.
So how do I satisfy my need for center stage now? I teach yoga and do interspiritual mentoring. For now, in the last quarter of my life, my wisdom years, teaching yoga and interspiritual mentoring are pathways for living these six values.